Shostakovich/Derevianko in North America

Yesterday, while talking to Libby Huebner, press officer for Camerata Pacifica, I brought up the fact that the group’s forthcoming performance of Shostakovich’s Fifteenth Symphony, in the arrangement by Viktor Derevianko, will be the California premiere. Of course, being a fanatic of Shostakovich and this symphony in particular, I’ll be there.

This May 2026 performance will be only the fifth in the Western Hemisphere. It was preceded by the following:

  • June 2000: Austin Chamber Music Festival (Western Hemisphere premiere)

  • April 2006: Seattle Chamber Players (in commemoration of the centennial of Shostakovich’s birth)

  • May 2013: Members of the Vancouver Symphony Orchestra (Canadian premiere)

  • May 2019: Played by Sergey Khachatryan, Alicia Weilerstein, Colin Currie, and others at the Kennedy Center

Camerata Pacifica memories

Another concert tonight. This time at the Huntington Library: a pair of Beethoven piano sonatas – including Op. 90, one of my favorites – and chamber music by Schubert and Schumann presented by Camerata Pacifica. (Review coming Thursday.)

As I sat in the hall waiting for the performance, my memory transported me to a performance I heard more than a decade ago, in another facility on the same grounds. On that occasion, it was Xenakis’ duo for oboe and percussion, Dmaathen, and it was one of the finest performances of anything I’ve ever heard in concert. Nicholas Daniel (oboe) and Ji-hye Jung (percussion) performed this remarkable score with such unhinged power that it almost verged into spirit possession. The work was the centerpiece of a typically inventive program by Camerata Pacifica, which as I recall ranged from Debussy to Takemitsu to Shostakovich.

That, in turn, reminded me of the much missed summer concerts at the Huntington by Southwest Chamber Music from long ago. Performances of Ravel’s Chansons madécasses, Reger’s Clarinet Quintet, a selection of works by Vietnamese composers — these are just a few that I can immediately think of.

These recollections stirred up feelings of gratitude for having heard so many wonderful performances, some by people and organizations no longer with us, as well as gratitude for those groups who are still here. Camerata Pacifica is among the latter, one of the brightest gems in Southern California’s musical culture. The continued dedication of its artistic director Adrian Spence and all of his fellow Camerata Pacifica musicians refreshes one’s faith in the power of music.